பி.சுசீலா பாடிய தமிழிலக்கிய பாடல்கள்

இலக்கியம்	பாடல்	விளக்கம்
சிலப்பதிகாரம் (400 -700 AD)	திங்கள் மாலை வெண்குடையான்	Silappathikaaram: One of the oldest surviving tamil literatures till date. “Silappathikaaram” and “kANalvari” are the beginnings of what we consider as the early Tamil Isai (the roots of Carnatic music). The exact date of Silampu is not known but is considered somewhere between 400-700 AD.
அவ்வையார் (13-ஆம் நூற்றாண்டு)	கற்றது கைமண் அளவு	avvaiyaar.Avvaiyar lived during the period of Kambar and Ottakkuttar during the reign of the Cholas in the 13th century. She is often imagined as an old but intelligent lady by Tamil and primarily referred by them as Auvai.Avvaiyar wrote many of the poems that remain very popular even now and are inculcated in school text books in the State of Tamil Nadu. These books include a list of dos and donts, useful for daily life, arranged in simple and short sentences
திருவருட்பா (1823 – 1874)	அருட்ஜோதி தெய்வம்	The ArutperunJothi Ramalinga Adigalar, popularly known as VALLALAR, the Great Munificient, may be regarded as the foremost of the saints and ages of the nineteenth century, considering the heights, widths, depths and intimacies of his integral realisation of the Divine in all the "inmost, inner, outer, and the outermost parts of his being". The VALLALAR was the one who affirmed openly and clearly in an unmistakable language the deathlessness of his body which he attained by the power of what he called "Arut Perum Joti", the Vast Grace-Light of the Divine which he identified as the Truth-Light of Knowledge, Satya Jnana Joti.
	எனக்கும் உனக்கும் இசைந்த முன்னவனே யானைமுகா திருவும் கல்வியும் சிவசிவ ஜோதி ஒருமையுடன் நினது வாரும் வாரும் தெய்வ அருட்ஜோதி தெய்வம்
திவ்யபிரபந்தம் 8-ஆம் நூற்றாண்டு	ஹரி ஓம் நமோ  பல்லாண்டு பல்லாண்டு	The Divya Prabandham is the Divine collection of 4000 hymns sung by Azhvars who lived in the southern part of India before 8th century A.D.The term azhvar means the one who is "immersed in" and they were immersed in Bhagavath anubavam all the time. It was the scholar-saint Nathamuni who, in the 10th century, retrieved and compiled this divine collection and numerous commentries have been written by various poorvacharyas for this divya prabandham and it is a life time exercise to read and the understand the inner meanings of the bakthi laden pasurams. What is presented here a collection of the entire 4000 verses in roman text and in tamil script
கம்பன்	மூங்கில் இல்லை மேலே (பல்லவி மட்டும்)	kambaramayanam,Ramavataram , popularly referred to as Kamba Ramayanam , is a Tamil epic that was written by Kamban during the 12th century. Based on Valmiki's Ramayana in Sanskrit, the story describes the life of King Rama of Ayodhy
12-ஆம் நூற்றாண்டு
	ஆயகலைகள் அறுபத்து
அபிராமி அந்தாதி	சகல செல்வங்களும்	Abhirami Anthadhi is a collection of poems composed by Abirami Pattar. The 100 poems praise the Goddess Abiraami.
		The songs come under a class of Tamil poetry called "Andhaathi". This means, the next poem should start with the word, that ends the previous verse. All these 100 beautiful songs were written in one night. One more specialty of Abirami Andhathi is there is no starting and ending
தேவாரம் 10-ஆம் நூற்றாண்டு	முன்னம் அவருடைய நாமம்	The dhEvAram given to this world by chundhara mUrthi nAyanAr form part of the 7th thirumuRai. These hymns blessed by chundharar are also called as thiruppATTU. chundharar hold a very special relationship in the devotion to Lord shiva and so are the hymns sung by them which are the testimony of this strange but sincere devotion. As could be seen from the life of sundharar(1), he lived the material life but the focus of which was just and only just Lord shiva. Whether he wanted liberation or Grace of Lord to help the suffering people or as minor things as sandal paste and materials or even the girls he wanted to marry - his only hold was Lord shiva to get anything fulfilled. The worship of Him and His devotees were the only things his tongue sings. Very naturally these characters of this great devotee are well depicted through his wonderful padhikams.
குறுந்தொகை 6-ஆம்  நூற்றாண்டு	நீயம் நானும் யாரோ எவரோ	Kurunthogai. Early Tamil literature also called the Sangam Literature (circa 300 B.C – 300 A.D) comprised of eight anthologies of small poems (‘Kurunthogai’)
திருவாசகம் 7-ஆம்  நூற்றாண்டு	நமச்சிவாய வாழ்க	Manickavachagar (10th Century): Another great composer of the 10th century was Manickavasagar. He is the composer of two of the greatest poetical treatise of his period, ThiruvAchakam and TiruvempAvai. Although I have mentioned the period as tenth century, it is not absolutely certain whether he was from this period. A few historians date Manickavasagar as pre-Thevaram period (before the 7th century) while others place him as a poet from the post-Thevaram (10th century or later) period. Regardless of the period, the contributions to Indian music and poetry that Manickavasagar made through ThiruvAchakam and TiruvempAvai is unquestionable.
திருஞான சம்பந்தர்	தோடுடைய செவியோன் ஓசை கொடுத்த நாயகியே	Thirugnana Sambandar: (7th Century) Like his predecessor, Appar, Sambandar, was born in the Thanjavoor district. He is supposed to have been blessed by Goddess Parvathi and from then on began to compose songs and other devotional lyrics. His songs are classified as virutham. The story is that Sambandar composed his first song, tOdudaiya Seviyan, at the age of three, making him the youngest composer ever in the world. Sambandar wrote a variety of compositions, some about nature; others, as a combination of romance and bhakthi or devotion, visioning Shiva as the Nayakan and the poet as the Nayaki. Thus, Sambandar contributed to the development of not only Saivism but also to the development of music.
திருப்புகழ் 15-ஆம் நூற்றாண்டு	அபகார நிந்தை நாதபிந்து காலடி	Thiruppugazh ( tiruppukazh "Glory to the Lord" or "Divine glory") is a 15th century anthology of Tamil religious songs dedicated to Murugan, the son of Shiva, written by the poet-saint Arunagirinathar. The anthology is considered one of the central works of medieval Tamil literature, both for its poetical and musical qualities, and for its religious, moral and philosophical content
பாசுரம்	குலம் தரும் கல்வி தரும்	Lord VenkatEsA's vaibhavam has been celebrated by the AzhwArs, AchAryAs and nAdhOpAsakAs over many centuries
	கதிரவன் குணதிசை
திருப்பாவை 7-ஆம் நூற்றாண்டு மனோன்மணீயம்  காரைக்கால் அம்மையார் திருமங்கை ஆழ்வார் (8-ஆம் நூற்றாண்டு) பாரதியார்   பாரதிதாசன் பாஸ்கரதாஸ் சுவாமிகள்	மார்கழி திங்கள் வாரணம் ஆயிரம்  ஓங்கி உலகளந்த  ஆழி மழை கண்ணா  அம்பரம் தண்ணீரே அனந்த பத்மநாபனே அங்கன்மா ஞாலத்து  அன்றி உலகம் பூடாரை வெல்லும் சீர்  சிட்டன்சிறு காலில்  ஏலே இளங்கிளியே  ஏற்ற காலங்கள் எதிர்  கனைத்திளங்  கட்டெருமை  கனைத்திளம் கன்று  கறவைகள் பின்சென்று  கன்று கறவை  கீசு கீசென்று எங்கும்  கீழ்வானம் வெள்ளென்று  கோதை நாயகி நாதனே குத்து விளக்கெரிய  மாலே மணிவண்ணா  மார்கழி திங்கள் மதி  மாயனை நின்னு முப்பத்து மூவர் அமரர்க்கு  நாயகனாய் நின்ற  நோற்று சுவர்க்கம்  ஓங்கி உலகளந்த  ஒருத்தி மகனாய் வையத்து வாழ்வீர்கள் உங்கள் புழக்கடை  உண்டு மடக்களிப்பன் தூமணி மாடத்து  வங்ககடலில் கடைந்த நீராடும் கடலுத்த  நாயகன் வடிவில் உனை  ஹரிஹர கோகுல ரமணா  காற்று வெளியிடை கண்ணம்மா  ஆடுவோமே பள்ளுபாடுவோமே செந்தமிழ் நாடெனும்  சுட்டும் விழிச்சுடர் சின்ன குழந்தைகள் போல் கண்ணில் தெரியுதொரு  நித்திரை இல்லையடி  வெள்ளைத்தாமரை  நின்னால் சில வரங்கள்  காக்கை சிறகினிலே  மலரின் மேவு திருவே ஓடி விளையாடு பாப்பா வெள்ளை நிறத்தொரு பூனை  யாமறிந்த மொழிகளிலே  தமிழுக்கும் அமுதென்று பேர்   சங்கே முழங்கு வெள்ளிமலை பொதிகைமலை